A banal curiositaliana of the horror movie concept – throw in whatever deviant nutso idea that comes to mind in the writing process (insect mind-reading, a killer mutant dwarf, songs by Iron Maiden, Bill Wyman and Motorhead) and place at the crux of it all a teenage Jennifer Connelly victimized at an all-girls boarding school plus a genius monkey who avenges evil with a razorblade.  

Most vividly did the Inauguration present the landscape architecture of Washington, D.C. Vast tracts of flat Mid-Atlantic coastland ingrained and plotted with figurative visage, “from a cause to a style,” and that style is Federal Government. The environs made room for millions of spectators, the January sun was a revelator of the National Mall and the Capitol grandstand where the U.S. brass emerged, lions and tigresses of the modulor.  If the 1789 Congress first met in New York City, a place infused with French precedents, then of course a Frenchman, L’Enfant, would be commissioned to design the Legislature’s new home, in a superstucture city. Alexander Hamilton assumed the burden of the suckling nation’s debts, and Jefferson took care of the civic engineering.

“Transparency and the rule of  law. . .” The first principle adapts to new conditions, the second pays allegiance to old ways.

Gatherings of public figures as found on Inauguration Day resemble the cast of a big-budget movie. Onscreen, in the movie, the characters play out a drama: opposite sides wielded, the avenging of bicameral principles, heroic clashes of wits. But then, offscreen, at the Awards party, the cast is all hanging out all smiles and gladhanding and sweet-kissing. They are now behind-the-scenes, and for the audience, who knew these people as imaginative characters, it shouldn’t be as comforting to watch the actors cavort as the experience ineluctably is. America loves spectacle and likes to wink knowingly and drunkenly at the camera, but however contextualized by superstardom the election year has been, Obama’s poise of first confidence is as a Statesman.

And if there is one thing the Election made clear, it is that America does not want a Baby Boomer as president: Obama just under, and McCain just above. Like all generations, Boomers have been both grave pioneers and spectacular foisters of truth. This is a generation that would riot against after voting for the Bush soundtrack of terror. The current culture is bent over, one that takes whatever is ready to be given, with only a cheap, half glance over the shoulder to what is about to be shoved up - people take it and then spew the behavior all out again as if they made it up themselves, the simulacrum of an imagination where no imagination exists. The country is still inspired by the Judeo-Christian orthodox holding that one must pay dearly for good things, a whipping for glory, where there is no nuance, no in-between, only severe stark contrasts, as if it were a time when The Canterbury Tales had not yet been written. So from Bush, comes Obama, and a bandwagonnery of hope not seen since world war.

The V6 Jakeness Plan

In 2008, the Brooklyn Bridge turned 125 years-old, a modern age marvel of engineering most prime, and in its day the largest suspension bridge in the world. Fascinated and terrified of it were the People. . .

It was 150 years ago that St. Patrick’s Cathedral laid its cornerstone on 5 AV, across from Rock Center’s art decoid Atlassolini; Macy’s Department Store turned 150, the old whale-trapper R.H. Macy staggering arch consumers with the Moby Dick of U.S. retail; King Kong turned 75; and the Temple Emanu-El on Fifth Avenue turned 80, the Oz of NYC Germano-Judaic benchmarks, the Germans having bestowed NYC with the Brooklyn Bridge, the NY Times, Belmont Racetrack, beer hall kulchur pre-the Irish, the Headless Horseman and the pretzel.  .  .  .  And WFMU, the epochal razzmatazz free form radio station of inland urbo New Jersey, turned a stand-out, bucked-up, class-act 50 years-old.

In 08, the restaurant Florent closed. . .

Burritoville closed, and David’s Bagels closed but reopened up 1 AV at 19 ST, which as yet the author has not tried. Scores closed, the famed swankskank, ladmaggy strip club, which event is incomparably non-tragic to the sad day in the 1990s when Billy’s Topless on 6 AV in Chelsea shuttered its superb NYU co-ed boo-tay.

Folk crooner Odetta Holmes died; and arabesque Yma Sumac; bravura Hollywood leading man and philanthropic culinarian Paul Newman; bibliognost H.N. Friedlaender, 70s country-fried songwriter/actor Jerry Reed, and muckraspy cross-dressing NYC sightseeing guide Stan Thomashaw, who, after forbidden by the company to wear his dress on the tour bus, always swore that the grungy pink shorts that became his costume were really a “cut skirt;” Lollipop Building schmancer Huntington Hartford, the A&P supermarket heir who spent his fortune bombastically, once advised against building an arena for chariot races at his Bahamas resort; and George Carlin, the Master.

Obama was elected President without precedent, in a campaign that seized the American imago like no other has in recent past, political action has been granted an infusion of esteem, glamor, class and an ingratiating sense of steadfastness.

And Bergdorf Goodman in the grand tradition showed its finest of holiday windows:

. . . . readers are urged to comment else upon any birthdays or bygones hereto. . . .